Little dots indicate a few buttons for reference and big dots indicate the button I’m to press. I don’t need to indicate every bellows shift, just the starting direction. that’s good enough to get me started on the passage. I often just indicate the direction of the beginning of the measure. The caret mark denotes the bellows direction. I draw three little lines above the staff for the right hand and below the staff for the left. “Dancing by Starlight” is a selection I was working on a few weeks ago that includes my shorthand tab for unfamiliar fingerings. However, there are times when I have to read dots or play something unfamiliar where some kind of notation or tab is helpful.Īs an Anglo player there are lots of things that have to all be coordinated: The best music comes when I leave that part of me alone and just let it play. Musically, I’m much better off going into that place in my mind where the concertina lives, that tactile / internally visual / speech place and letting it do it’s work without too much conscious thought or interference at all. I can read staff notation but I find it clumsy. Basically, my idea is to make marks on the sheet music of any unusual stuff and leave the rest alone. I’ve used a tab graphic for about 15 years now that you might find helpful. I've been trying to find a tablature system for anglo concertina. I agree and found from experience that I need to do this too to remember specific fingering schemes. It's no good just telling someone to "play a G" when there are several buttons to choose from. It's also useful to have a shared language to explain to other players, particularly when teaching, which buttons to press. If I don't keep practising a piece, when I come back to it after a period I often find I have forgotten how I play some bits it usually comes back to me after a while but it's helpful to have it written down. This is particularly useful on instruments like the anglo, or guitar, where there may be several possibilities. Where it is useful is as an aide-memoire for noting down particular fingerings so you don't forget how to play a particular piece. I don't find tablature, for any instrument, very helpful as a means of learning or recording tunes, and even less helpful to play from (although I can't play from standard notation either). It is indeed simple, very efficient, intuitive, and clear.I find that the tablature gets in the way and keeps me from reading the notes as I play. In conclusion, the Universal System, also known as CADB system, has stood the test of time (first book in 1930!) and is accepted worldwide. The rhythm is written in two complimentary ways: first by the interval separating each note from its neighbor (extremely difficult to make on a computer), and second by standard musical notation (note values).Īccordions of different pitches may play the music as written (ie you may use A-D instead of G-C, etc.). On a 8 basses continental DBA (diatonic button accordion) all the chords are major except from the A chord that is minor. You'll see strings like this : A a a E e e (A bass, a chord, a chord, E bass, e chord, e chord) The other (uniquely French "rows") system of tablature is also converted to this method of bass notation.Ī capital letter means "bass" and a lower case letter means "chord". This allows a guitarist or other musician to play along. Above the line, you push below the line, you pull ("tirer").įor the left hand accompaniment (bass), the note itself is written for more precision (only one letter)(fig. For reasons of clarity, a single horizontal line separates the "pull" from the "push". The second row is indicated by 1', 2', 3', etc. These are numbered downwards from the top (from bass to treble). The numbers underneath indicate the button(s) to push. This essential indication is put forward in our system of tablatures :"P" tells you to "pousser" (push/close) the bellows, "T" to "tirer" (pull/open) (fig. We will indicate which buttons the interpreter uses and in which direction he (she) operates the bellows, essential characteristic of the diatonic accordion. The main weakness of tablature is that it is, of course, designed for a unique instrument, here a specific type of accordion. The standard musical notation indicates the note to be played. The tablature tells the accordionist which button to push and whether to push or pull the bellows. The Universal System or CADB combines standard musical notation (solfa) with tablature. (translation : Philip Jamison & Mary Turner) - Français - Italiano - Nederlands Systeme universel, CADB The Universal system ( CADB system.) Homepage of Bernard Loffet, luthier at Caudan in Bretagne. (accordeon diato, diatonic accordion, melodion, bellows, squeeze box, accordion maker, tablatures, accordian). Universal System CADB.Music for melodion, diatonic accordion.
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